Tuesday, December 11, 2012

Hommage a Elsa Schiaparelli 11C - Bianca


Hommage a Elsa Schiaparelli 11C -  Bianca

  • High level of integrity
  • Fashion is inspired by facts, trends, politics
  • Self-motivated couture training
  • She was a painter/sculptor before designer
  • Dress-designing was a form of art
  • Creations of design are soon forgotten 
  • Texture specifically interested Schiaparelli
  • Her first order was the result of her publicly wearing a design to a luncheon - class introduction
  • “Schiaparelli pour le Sport” - first front door sign 
  • She did not have a true formal training, but simply created cuts herself 
  • She claimed that the body was the frame for the clothes
  • Liveliness of clothes come from being worn
  • 1929-1930 - Sciaparelli becomes more daring with her designs
  • She created sportswear and wanted to emphasize the natural curves of the body as opposed to the illusionistic styles of the 20s
  • 1930 - black was very big and texture of fabric/bordering was important
  • Terry cloth and upholstery type fabrics decorated beachwear
  • The grid design was a fairly new and modern patterning
  • Zippers were used for decorative purposes
  • She used materials like corduroy, tweed, imitation silk, and silk imitating wool
  • 1931 was a time for unusual cuts and provoking details
  • She sponsored “costume jewelry”
  • She was known for her caps in lozenge shapes
  • 1934 was a time where emphasis on color was huge - naming colors became popular
  • She invented the idea of the “boutique” with ready to wear designs, accessories, and perfumes
  • Styles of hats varied including, “Spider,” “Chef Hats,” and “Draw Pull”
  • She created surrealist accessories - shaped in forms of all types of objects and ideas
  • Colors were also used in hosiery 
  • Her perfume evolved “Shocking by Schiaparelli”
  • Evening dress culture was transforming
  • After WWII it was difficult to find materials
  • 1954 - she closed her boutique
  • She was a strong believer in the power of the individual against the forces of oppression, jealousy, and hardship
  • Her designs were of sociological necessity. They were witty, yet beautiful. 

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