Hommage a Elsa Schiaparelli 11C - Bianca
- High level of integrity
- Fashion is inspired by facts, trends, politics
- Self-motivated couture training
- She was a painter/sculptor before designer
- Dress-designing was a form of art
- Creations of design are soon forgotten
- Texture specifically interested Schiaparelli
- Her first order was the result of her publicly wearing a design to a luncheon - class introduction
- “Schiaparelli pour le Sport” - first front door sign
- She did not have a true formal training, but simply created cuts herself
- She claimed that the body was the frame for the clothes
- Liveliness of clothes come from being worn
- 1929-1930 - Sciaparelli becomes more daring with her designs
- She created sportswear and wanted to emphasize the natural curves of the body as opposed to the illusionistic styles of the 20s
- 1930 - black was very big and texture of fabric/bordering was important
- Terry cloth and upholstery type fabrics decorated beachwear
- The grid design was a fairly new and modern patterning
- Zippers were used for decorative purposes
- She used materials like corduroy, tweed, imitation silk, and silk imitating wool
- 1931 was a time for unusual cuts and provoking details
- She sponsored “costume jewelry”
- She was known for her caps in lozenge shapes
- 1934 was a time where emphasis on color was huge - naming colors became popular
- She invented the idea of the “boutique” with ready to wear designs, accessories, and perfumes
- Styles of hats varied including, “Spider,” “Chef Hats,” and “Draw Pull”
- She created surrealist accessories - shaped in forms of all types of objects and ideas
- Colors were also used in hosiery
- Her perfume evolved “Shocking by Schiaparelli”
- Evening dress culture was transforming
- After WWII it was difficult to find materials
- 1954 - she closed her boutique
- She was a strong believer in the power of the individual against the forces of oppression, jealousy, and hardship
- Her designs were of sociological necessity. They were witty, yet beautiful.
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